|Jane Crane- in progress|
In advance of the course, the 14 artists were asked to choose their favourite Diebenkorn painting and bring along an image to the workshop - a difficult task but of course it forced everyone to look at all of Diebenkorn's work.
Drawing was an integral part of the workshop: drawing from Diebenkorn's work, from the world outside, from the drawings themselves and from the paintings in progress. Here is a selection of studio shots and paintings - I'll be adding more images as they arrive.
|Jane Crane at work|
We had a fascinating conversation in our Group critique about Jan Bunyan's paintings working as a diptych (or not)
|Margarita Hanlon- work in progress|
|Rob Frampton-Fell's three paintings|
'Outstanding tutoring and camaraderie really helps the atmosphere of serious enquiry' Margarita Hanlon
'Having Diebenkorn's range of work was inspiring and stimulating. The course is a springboard for future work. Ashley's a great teacher!'
'Every time I work with Ashley I feel more confident that I am progressing my art'